In writing, this principle holds true on the
micro level no less than the macro one. Just as no
composition should be handicapped by a slow, vague or tedious
introduction, the individual sentences within it must be
quick off the mark.
The ubiquitous pronouns it and there
are responsible for some of the worst offences in this
regard. Writers often let the power in their sentences go to
waste by placing these pronouns where the main subject should
be. Let's look at a few examples:
There is a significant
advantage in working slower: fewer mistakes.
It is clear that our
performance has improved dramatically, but much remains
to be done.
It is important to check
the label before taking the medicine.
There are several causes
for the recent tension in the workplace.
In all these cases, the power of the sentence
core has been squandered by the use of a vague pronoun as the
main subject. Let's restore the punch to these sentences, by
rewriting them so that they make their point faster:
Working slower results in
fewer mistakes.
or
Making fewer mistakes is a significant
advantage to slower work.
Much remains to be done, in
spite of the improvement in our performance.
or
Our performance has improved, but much remains
to be done.
Check the label before taking
the medicine.
The recent tension in the
workplace has several causes.
Move the main idea up front, and you usually
have stronger sentences and, in turn a stronger composition.
Occasionally, however, the introductory vague pronoun is
appropriate. If I change:
It's a humiliating solution, but it will keep
us from starving .
to:
A humiliating
solution will keep us from starving.
then I change the meaning in the process.
When you edit your document, look out for
such phrases as it is and there is. Examine
each case on its merits. Don't use your "blue
pencil" indiscriminately, but train yourself to
recognize when you should.
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